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马丁剧情简介

马丁「英语DVD」是由乔治·A·罗梅罗导演、约翰·艾姆普拉斯林肯·马泽尔Christine Forrest主演的美国剧情惊悚恐怖犯罪 电影。该影片上映于1978年剧情如下:

Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.

In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.

Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.

When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.

Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.

One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.

Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.

During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.

One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.

Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.

Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.

One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.

Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".

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  • HurryShit
    @HurryShit 2 有用

    世代隔閡(80年代的《粗野少年族》只不過是此一主題的卡通加強版)。匹茲堡,汽車變成廢鐵的畫面,無聊而無力的環境氛圍。黑白畫面及名字召喚,是內在慾望驅力與外在心理暗示的共同作用。性。溝通無能(廣播、電話等溝通工具元素)。針頭。自我封閉及否定。沉緩而憂傷的新好萊塢氣質?

  • 焦瑷
    @焦瑷 2 有用

    压抑,无与伦比的压抑,写实风格,看完很恶心。手法独到!

  • stknight
    @stknight 0 有用

    说实话不太喜欢老罗拍的这种风格

  • 金司机
    @金司机 0 有用

    经典的黑白闪回

  • 梦回光影连营
    @梦回光影连营 0 有用

    另类吸血鬼片,拍得真实验啊,成了一伦理讽刺片,音乐诡异,气氛压抑。

  • 文森特九六
    @文森特九六 0 有用

    二刷,4.5,观感比一刷还要好。

  • spaceman
    @spaceman 2 有用

    吸血鬼的后现代语境解构,上帝死了,吸血鬼也死了...

  • JoshuaLi
    @JoshuaLi 1 有用

    7.5 黑白和彩色区分的时空交错的剪辑用在吸血鬼题材上还真是有一种诡异的古典美呢

  • 高压电
    @高压电 0 有用

    没了丧尸跟丢了魂似的

  • 生意.
    @生意. 0 有用

    罗梅罗最文艺的一集,隐喻颇多,风格独特,很枯燥、很压抑、很现实,同时也是吸血鬼电影里相对出色的反套路片 马丁到底是一个吸血鬼,还是一个病态的问题青年,影片没有给出明确的答案,但是无论是哪种情况,所要表达的内在与外在的问题都还是比较深刻的 还有一个不知道算不算缺点的问题在于:罗梅罗一贯的粗糙画面质感在这部不那么粗糙的电影里依旧保留了下来,看的时候有些怪怪的,非常出戏。。。

  • 大肚兜
    @大肚兜 2 有用

    罗梅罗的吸血鬼,仍然是他的社会关注。一个现实生活中的“吸血”鬼,一个青年边缘人,没有魔法,没有传说,他该如何面对长辈的守旧迷信,以及同辈的歧视与冷漠。他把旧吸血鬼文本中的人物关系,完全映射到了一种现实环境当中,而这些人物之间还是发生着相似的矛盾冲突,以及相似的结局走向,但却显得更加无奈与悲剧。不过在概念很好的情况下,片子还是充斥着罗梅罗一惯的问题,比如说演员的表演仍然充满b级感,很难去迎合这样一个复杂的文本概念,同时罗梅罗喜欢的实验影像也成了一把双刃剑。虽然说这种特殊的影调给片子增加了一层神秘与诡异,但是对于本身就不够扎实的文本来说变得更加晦涩和模糊,而这种结果给观影感受大打折扣。总得来说这绝对是一个非常有意思的文本概念,但最终呈现的完成度并不算高

  • James Cool
    @James Cool 0 有用

    仿佛在看阿贝尔·费拉拉的早期电影,这一部应该算是罗梅罗作品里最cult的了,无比粗粝,既有维斯·克莱文的残酷,又有剥削片的搞怪。

  • 大壯
    @大壯 2 有用

    该死的 长得真他妈像我曾经认识的一个傻屄

  • 汾河水怪
    @汾河水怪 0 有用

    非常与众不同的吸血鬼电影,吸血鬼是偏见的产物,也成为其中的牺牲品。

  • 日光瀑布
    @日光瀑布 1 有用

    罗梅罗居然有这等水准

  • 火娃
    @火娃 0 有用

    6/10。通过血腥阴冷的色温,混杂着性虐意味的影像,作案后认真打扫现场的方式加上使用刀片和麻醉剂的工具,呈现出真实感十足的拍摄特质。马丁一系列玩笑行为增添了其身份的神秘,紧裹着黑色斗篷、口露獠牙,躲在暗藏惊悚的墓地捉弄他年事已高的哥哥,为结尾造成一场警匪交火后逃脱的他被钉死埋下隐患。

  • 金刚大笑
    @金刚大笑 3 有用

    手法挺独特,就是一点也不恐怖。

  • 信电影得永生
    @信电影得永生 1 有用

    移民向吸血鬼,掺杂了很多哀愁,一个是过去的困扰,一个是对当下生活的思考,还有一个总是想杀死自己的老家伙。吸血鬼的日常,有点反套路,很有思考在其中。三星半

  • 我和我的小毛衣
    @我和我的小毛衣 0 有用

    剧情一到他表哥那里就会消失掉,有点喜欢镜头跟剪辑风格的,演员演技太差,剧情一塌糊涂。导演:我写的是吸血鬼,我的吸血鬼没有魔法,所以他就不算吸血鬼,真的不算吸血鬼,他真的没有魔法。

  • 琧婯
    @琧婯 2 有用

    真实风格愚昧社会悲剧,吸血鬼妄想,催眠剂效果太慢了吧 抑郁症表现 there is no magic

  • nomad
    @nomad 0 有用

    pittsburgh blues, Donald Rubinstein的配乐太妙,竖笛铁琴冷雨夜,时代偏冷的音色很爵。剧作技巧抻长了高潮篇幅,迷乱的节奏刻意模糊的结构和粗糙的质感最符合他想说的话,怪不得是他自己最爱的一本。结束前那段唐突的Martin 上街偶遇仪仗队,灵得不行,即兴的力量,即使拍废了也不舍得剪走

  • 嵇澹
    @嵇澹 0 有用

    就像类型不是必须遵守的边界,温驯可爱和毛骨悚然在得宜的影像承托下未必针锋相对,戏谑扯破流行文化迷信与崇拜吸血鬼神话的赋魅面纱然后镜头尾随着跟踪狂诺斯费拉图的视角显微作为一种隐喻的嗜血生物可能就是当代社会有毒害虫incels的原型,同时精准扫射定格了1977年的癫狂与颓废。衰败城市的废墟同弥漫的抑郁气息一起缓慢死去,集体沉沦的世界末日倒数正敲响在我们呼吸之间。让人道主义吸血鬼寄生在摩登世界难度陡增的并非作案成本的增加而是随着现代性的殖民进程通货膨胀的孤独感,不断循环的流浪,逃亡,居无定所的生活和无能建立的联结比血库告急更易摧残本就孱弱的灵魂,化名伯爵的深夜倾诉成为电台时代网络红人的讥讽之笔也是先于时代预言了人们对罪案消费的如饥似渴并不比血族无孔不入的窥伺来得无辜。

  • mills
    @mills 0 有用

    出了4k修复,罗梅罗的另类吸血鬼

  • 张翔森
    @张翔森 2 有用

    吸血鬼的日常生活。开篇与结尾形成了一个很好的对照。开篇,吸血鬼在列车车厢里奸杀了一女子后将现场布置成了女子自杀的景象,最后,女子自杀后老头怀疑是吸血鬼干的好事。这部吸血鬼电影,居然有点文艺调调,在B级领域中显得不那么B级。

  • paradiso
    @paradiso 1 有用

    吸血鬼与否始终以模棱两可的情态叙述,漂亮的黑白哥特“过去”平行蒙太奇没有明确解释,不死族优势弱点都没所以外表几乎就是一个技法出色的铅黄片,三线衰败美国城(档次低到神父用英语驱邪念经<-重点被黑...)跟意大利铅黄片最大区别是:颜值额度被男主一个人用光了别的演员都好丑。好在微微龅牙的小男主谜之魅惑,黑白片里尤其好看。姑且当吸血鬼看的话,果然也会紧跟最新时代科技,当时是广播热线诉衷肠现在就是网络群聊了吧

  • 茉琉
    @茉琉 1 有用

    社会现状下的“吸血鬼”,蛮特别的,第一次看罗梅罗这么文艺

  • 超人叔叔
    @超人叔叔 0 有用

    最cult的德古拉主题凶杀故事?错位的自我认知与传统神学的对立共生?;16mm素材修复重扫输出到1.78:1的高清体验算非常不错了 不过导演貌似更偏好4:3版本

  • UrthónaD'Mors
    @UrthónaD'Mors 3 有用

    就那么被钉死在床上了,黑白闪回。吸血鬼妄想症,怪诞的音乐。压抑

  • 兔山小
    @兔山小 1 有用

    这哪是美国的啊,我没听出一个英文单词昂```其实我对70年代的所谓恐怖片很感冒,类似那个13号星期五系列,恩,技术不过关!中间插的那电影是啥?

  • 黑色的伯劳
    @黑色的伯劳 1 有用

    好看。是类型片。简单隐喻的拓展,罗梅罗总能给概念以足够丰富的外沿;仅是角色的,远比奉俊昊电影可爱

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