等待方舟「其它HD中字」是由皮奥特尔·舒尔金导演、耶日·斯图尔、克里斯提娜·杨达、卡里娜·谢鲁斯克、马里乌什·德莫霍夫斯基、马雷克·瓦尔切夫斯基、扬·诺维茨基、亨里克·比斯塔、莱昂·涅姆奇克、克兹佐夫·马扎克、斯坦尼斯瓦夫·伊加尔主演的其它剧情、科幻、悬疑 电影。该影片上映于1985年剧情如下:
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
瑞安·雷诺兹,威廉·达福,艾米丽·沃森,凯瑞-安·莫斯,朱莉娅·罗伯茨,艾恩·格拉法德,香侬·卢西奥,海顿·潘妮蒂尔
马诺杰·巴杰帕伊,塔妮莎·查特吉,穆罕默德·齐尚·艾布,史密塔·坦博,Megha Mathur
赵完真,Wan-jin,Jo
萨尔曼·汗,索娜姆·卡普尔,阿努潘·凯尔,尼尔·尼汀·穆科什,迪帕克·迪布里亚尔,斯沃拉·波斯卡拉,萨曼拉·若
内详
托比·琼斯,罗杰·阿拉姆,理查德·阿米蒂奇,艾米·卢·伍德,安娜·考尔德-马歇尔,罗莎琳德·以利亚撒,迪尔巴拉·莫洛伊,彼得·怀特
菱美百合子MakiTachibanaMasanaoYamadaAkiraNakabayashi
等待方舟相关评论
3.5
Cineville 039 3.5,末世众生相,对官僚主义和人性的讽刺,刚开始有些无聊。 比Golem的表达更容易理解。
令人彻骨绝望的冷色调,颓废阴冷肮脏的建筑物环境,在混沌中苟活着的民众,内部不断的争斗残害,这颓败压抑残酷的末世情状,充满波兰前途焦虑的政治隐喻。末世方舟“神话”,实为“镜花水月”的谎言。上升气球的美好向往,不过是荒诞虚妄的幻梦。
不及死者来信 科幻外衣下的zz隐喻 圣经被列入小说那一列
89无聊
#Alfie。
想看找我
波兰特产:恶政隐
走马观花似的描绘了一幕幕末日画卷,人人自危,执着于虚妄的幻想苟活,直白的政治讽刺,结尾于绝望中飞起的热气球。
4.5(我也不知道那0.5扣在哪儿 导演审美很对味👍🏻逃出基地那渐变绿 飞机废墟下打斗蓝
我们都在等待着方舟的救赎~
来自东欧式的悲伤与绝望……有时候就不难明白……为什么…………
不要因为海报放弃电影
在空虚里等待解脱,隐喻太神
一个架空的政治讽喻?
这东西,氛围营造的好,剧本上还是单薄了点
画质太差,看的浑浑噩噩
+ 皮奥特尔舒尔金电影三要素:作为局外人/先行者的主角、霓虹/废墟美学、官僚政治的隐喻。
85.36
这末世录也太照本宣科了
冷战后的核战恐惧症,一般般