魔鬼的陷阱「其它HD」是由法兰提塞·维拉席导演、Vítezslav Vejrazka、米罗斯拉夫·马哈切克、Cestmír Randa、Vít Olmer、Karla Chadimová、Vlastimil Hasek、Frantisek Kovárík、雅罗斯拉夫·毛奇卡、约瑟夫·赫利诺马兹、贝德里奇·卡兰、Jirí Belohoubek、Jirina Bílá、Monika Indingerová、Ladislav Kazda、Milan Kindl、伊里·弗斯塔拉主演的其它剧情 电影。该影片上映于1962年剧情如下：
In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.
The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).
Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.
As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.
Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.
The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.
Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.
The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.
The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
HD中字6.5分 达里尔·沙巴拉,阿丽夏·维加,安东尼奥·班德拉斯,卡拉·古奇诺,史蒂夫·布西密,迈克·乔吉,丹尼·特雷霍,切奇·马林,马特·欧莱瑞,艾米丽·奥斯蒙特,里卡多·蒙特尔班,霍兰德·泰勒,艾伦·卡明,泰勒·摩森,克里斯托弗·麦克唐纳,Dale Dudley,特洛伊·罗宾逊,比尔·帕克斯顿,费利克斯·萨贝茨,托尼·夏尔赫布,Tiger Darrow,Eli DeGeer,Ken Edwards,Justin D. Hilliard,Michael S. Koenig,罗蕾莱·林克莱特,乔丹·沃克·罗斯,Laila
HD4.0分 Mohamed Elachi,萨拉·卡泽米,Affif Ben Badra,Anas El Baz,Diouc Koma,Karim Saidi
HD中字7.2分 斯图尔特·格兰杰,简·西蒙斯,比尔·特拉弗斯,贝琳达·李,罗纳德·斯夸尔
HD中字6.6分 萩原聖人,新井浩文
HD中字6.8分 汤姆·格林,安娜·帕波维尔,丹尼尔·库德摩尔,阿耶莱特·祖里尔,麦克·多普德,Enisha Brewster,Masam Holden,周逸之
HD7.6分
魔鬼的陷阱相关评论
没有暗黑的恶魔与巢穴，只有心中的嫉妒和污蔑，有云:相由心生，魔亦由心生。往下未必就是地狱，向上也不一定通往天堂，所谓“魔鬼的陷阱”，是对上帝盲信盲从者一记犀利的愚弄。
蓝光，已下
导演保持了其水准，摄影也不错
借着宗教的名义肆意审判他人，画面与音乐的烘托之下电影很压抑，但是翻译比较糟糕导致看起来还是有点痛苦的
对权力、地位的盲目崇拜才是真正的魔鬼的陷阱，莫须有的责难和罪过是人类内心的邪恶。3.5
20/10/30
大捷克电影,哇哈哈
从片名来看好似恐怖甚至是奇幻的类型，但是剧情却踏踏实实围绕在平民和政权、宗教三方之间，做一番讽刺现实中的魔鬼的闹剧。被污蔑的被谣言宣称和魔鬼有染的磨坊主及其儿子，只是一心一意挖掘水源辛苦劳作。而一心想要致人于死地的宗教领袖代表和政权代表沆瀣一气，致力于宣扬谣言，将人民打到，攻击他们为恶魔。实在是做贼喊抓贼的一出好戏。文本利用奇幻的元素来讽刺、抨击特权阶层，影片甚至没有出现什么鬼怪恶魔，却已经将恶魔真正的面目描写得非常具体。
7。Vláčil貌似很擅长拍此类片，
7.2；可能是片長比較短，這部看著沒那麼煩人了，空間的層次張力倒是十分吸引人
魔鬼的陷阱意指希望。
信仰是强权的傀儡，这个牧师的形象有点像阿基尔上帝的愤怒里的牧师
并没有“魔鬼的陷阱”，比起来自然界的溶洞地质构造，嫉妒、怀疑、构陷更易使人心入魔，成为人性和道德陷阱。信仰沦为强权的奴隶，发酵膨胀的还是利益争夺和权力欲。磨坊主以事实为依据，找到事物发展变化之理，对贵族教会的愚民策略和大众盲目的信仰猛刺一击，这无形的讽刺使得宗教裁判调查必定丧失公允。影片意象象征意义强烈，运镜牛B，镜头所到之处，开合纵横，气势夺目。视角变换丰富，构图精致凝炼。与法兰提赛的《乱世英豪》、《蜂之谷》相比，形式与内涵融合度略差，有一种形式至上的过度感。
摄影是顶级的，有点老塔的范儿，但主题确实是让俺迷惑，有个运动镜头还挺牛的
两天分开看的导致更加没看进去...本来以为是带点奇幻色彩的阴暗宗教片，没想到剧情还是比较现实主义+社会讽刺
捷克新浪潮局外人的中世纪三部曲之一，波西米亚村庄的异教审判，还没有接下来的巨制Marketa Lazarova那么maximalist，故事也直白得多，但其诡异压迫的超自然氛围依然达到了弥漫围裹的四维效果，尤其是几段仿佛灵魂出窍的POV和如影随形的音效配乐。画面里人物与建筑、自然的位置关系匠心独运，随处都是孕育意象的死物（水罐、蜡烛、大镰刀……）。天由天主教垄断，和地说话的人一定是中了邪。几百年过去了，越来越多的人相信科学是歪理邪说，没有更毛骨悚然的了。
反正我有啥说啥，说错了就说错了。尽管运镜和剪辑确实迷人，但这电影让我极度迷惑，明明是个叙事性挺强的电影，我怎么捯回去看都看不明白，基本靠猜，不知道是电影本身的问题还是字幕的问题。给我的感觉不单是前言不搭后语、不符合正常人类的沟通思维，而且许多关键信息是怎么给出的我完全接收不到——包括但不限于谣言是啥、牧师来干啥的、故事背景是个什么设定、老爸去哪了甚至每个人物之间的关系......对了，还有就是牧师往什么地狱之门里头扔石头为什么可以扔那么远？地下湖边有个人，他是谁，在那干啥呢？我也是极为困惑。总结来说就是很浪费感情。
不感兴趣
因为是捷克斯洛伐克拍得才看的，但没想到看不进去。
厉害
无聊